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Relíquia Cultural
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Para ilustrar a sua teoria da evidência absoluta, o padre escritor colocou o cálice vazio de vinho em cima do armário do escritório de seu interlocutor, amassou um pequeno pedaço de uma folha do bloco de notas que estava sobre a mesa, posicionou-se de costas a uma distância de cerca de quinze metros do alvo e arremessou a bolinha que, como era de esperar-se, passou distante do copo. O pároco gabou-se de seu erro premeditado, proferindo frase pontualmente ascética.
– Quem, se não Deus, seria hábil para atingir a mira com esmero? Como poderia o universo ter sincronia tão exata? E a sublimidade do corpo humano, que dissimulada ideia evolutiva poderia suplantar a perfeita criação? Cada célula, cada átomo, impecavelmente alocados. É claro que excepcional plenitude só pode ser oriunda da inteligência do Arquiteto Supremo.
O outro padre concordou tacitamente com os olhos. O que fez Artelírio ganhar confiança e passar a portar-se com menos formalidade. Mais relaxado, largou a busca por asserções que apoiavam a valia de sua vida sagrada e começou a narrar saborosos causos como o que o levou a tudo aquilo.
(Trecho do texto "O padre que viu Deus partir")
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